Publication date: 30.11.2016
Licence: None
Editorial team
Editor-in-Chief Ewa Kocój
Deputy Editor-in-Chief Joanna Szulborska-Łukaszewicz
Secretary Alicja Kędziora
Issue editors Katarzyna Plebańczyk, Ewa Kocój
Culture Management, Volume 17, Issue 4, 2016, pp. 295 - 309
https://doi.org/10.4467/20843976ZK.16.019.5882Culture Management, Volume 17, Issue 4, 2016, pp. 311 - 326
https://doi.org/10.4467/20843976ZK.16.020.5883Culture Management, Volume 17, Issue 4, 2016, pp. 327 - 342
https://doi.org/10.4467/20843976ZK.16.021.5884Culture Management, Volume 17, Issue 4, 2016, pp. 343 - 353
https://doi.org/10.4467/20843976ZK.16.022.5885Culture Management, Volume 17, Issue 4, 2016, pp. 355 - 369
https://doi.org/10.4467/20843976ZK.16.023.5886Culture Management, Volume 17, Issue 4, 2016, pp. 371 - 384
https://doi.org/10.4467/20843976ZK.16.024.5887Culture Management, Volume 17, Issue 4, 2016, pp. 385 - 389
https://doi.org/10.4467/20843976ZK.16.025.5888Słowa kluczowe: heritage, public participation, heritage management system, city, revitalisation, industrialisation, cultural heritage, place identity, memory, identity, historical policy, artist, Cyprian Kamil Norwid, multiculturalism, „place of memory”, Pierre Nora, Jan Assmann, Grodno, Polish, Belarusian, Jewish, acculturation, digital humanities, digital sociology, curing sociology, digital return, ANT, non-humans sociology, phonography, record label, music industry, classical music, electronic music