Data publikacji: 30.11.2022
Couverture: Dorota Heliasz
Licencja: CC BY
Redakcja
Redaktor naczelny Barbara Markowska
Romanica Cracoviensia, Tom 22, Numer 3, Tom 22 (2022), s. 203 - 212
https://doi.org/10.4467/20843917RC.22.018.16183Romanica Cracoviensia, Tom 22, Numer 3, Tom 22 (2022), s. 213 - 224
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https://doi.org/10.4467/20843917RC.22.025.16190Romanica Cracoviensia, Tom 22, Numer 3, Tom 22 (2022), s. 291 - 300
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https://doi.org/10.4467/20843917RC.22.028.16193Romanica Cracoviensia, Tom 22, Numer 3, Tom 22 (2022), s. 317 - 321
https://doi.org/10.4467/20843917RC.22.029.16194Słowa kluczowe: Fala de Xálima, community of practice, minorized languages, Spanish language, Polish language, punctuation marks, comma, subordinate clauses, reading anxiety, learners, didactics, foreign language, teaching, instruction, Middle French, the meismes morpheme, ipseity, insistence, Classical tragedy, Christian martyrs, Alexandria, Neoplatonism, female aspirations in the 17th century, banker Dambreuse, bourgeois burial, devaluation of ritual, funeral speech, Père Lachaise Cemetery, Edvige Toeplitz Mrozowska, soviet revolution, soviet Central Asia, Tajikistan, Avant-garde; Surrealism; theory of the object, occultism; Surreality, Saint-John Perse, Zbigniew Herbert, 20th century poetry, anabasis, exile, existential experience, poetry and politics, poetry and biography, Romance languages, non-standard languages, language for specific purposes, variety in linguistics, sociolects, dialects, Georges Rodenbach, Joël Goffin, Belgian writer, journal, articles, Paris, fin de siècle, Belle Époque, supernatural, fantastic, marvelous, uncanny, autofiction, Ken Bugul, Senegal, Africa