Data publikacji: 22.12.2015
Licencja: Żadna
Redakcja
Redaktor naczelny Marcela Świątkowska
Sekretarz redakcji Iwona Piechnik
Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 241 - 252
https://doi.org/10.4467/20843917RC.15.017.4284Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 253 - 259
https://doi.org/10.4467/20843917RC.15.018.4285Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 260 - 269
https://doi.org/10.4467/20843917RC.15.019.4286Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 270 - 278
https://doi.org/10.4467/20843917RC.15.020.4287Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 279 - 287
https://doi.org/10.4467/20843917RC.15.021.4288Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 288 - 297
https://doi.org/10.4467/20843917RC.15.022.4289Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 298 - 308
https://doi.org/10.4467/20843917RC.15.023.4290Romanica Cracoviensia, Tom 15, Numer 4, Tom 15 (2015), s. 309 - 320
https://doi.org/10.4467/20843917RC.15.024.4291Słowa kluczowe: Italian Futurism, Futurism, art, poetics, Nancy Huston, unreliable narration, humanism, poetics, Grail romance, Middle Ages, woman, phantasm, fantasy, violence, sexual desire, castration, devilry, Ornela Vorpsi, La mano che non mordi, journey, culture, identity, Surrealism, manifesto, avant-garde, modernism, Dante, Virgil, Purgatory, Aeneid, earthly paradise, Elysium, intertextual approach, modernity, Romanticism, essay, tragedy, Tristan L’Hermite, Le Page disgracié, autobiographical pact.