75 HP., 1924, [manifesto], (in:) Petre Răileanu, 1922–1928, transl. by Monica Voiculescu, Plural Magazine 3/1999 (“The Romanian Avant-Garde”): 56.

BLYTH Alistair, 2007, The Surreal as Infra-Real, (in:) Gellu Naum, Vasco da Gama si alte poheme / Vasco da Gama and other poems, transl. by Alistair Blyth, Bucuresti: Humanitas, 21–36.

BOGZA Geo, 2007a, The Rehabilitation of the Dream, transl. by Monica Voiculescu, (in:) Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910–1930, Timothy O. Benson & Éva Forgács (eds.), Cambridge, Mass.–London: MIT Press, 714.

BOGZA Geo, 2007b, Urmuz, transl. by Julian Semilian, (in:) Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910–1930, Timothy O. Benson & Éva Forgács (eds.), Cambridge, Mass.–London; MIT Press, 569.

BOGZA Geo, PĂUN Paul, LUCA Gherasim, PERAHIM J., 1999, Poetry we want to create, (in:) Petre Răileanu, 1922–1928, transl. by Monica Voiculescu, Plural Magazine 3/1999 (“The Romanian Avant-Garde”): 72–73.

CERNAT Paul, 2007a, Avangarda românească si complexul periferiei: primul val, Bucuresti: Cartea Românească.

CERNAT Paul, 2007b, Contimporanul. Istoria unei reviste de avangardă, Bucuresti: Institutul Cultural Român.

Contimporanul, 1924, ANDRÉ BRETON: “Manifeste du Surréalisme”, 50–51: 15.

COPACIU Adriana, 2012, How to be transnational? Identity Trajectories of the Romanian Avant-Garde Magazines (doctoral thesis); www.upm.ro/ldmd/LDMD-01/Lit/Lit%2001%20E6.pdf (consulted 19.10.2015).

COSMA Mihail, 2007, From Futurism to Integralism, (in:) Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910–1930, Timothy O. Benson & Éva Forgács (eds.), transl. by Julian Semilian, Cambridge, Mass.–London: MIT Press, 559.

HJARTARSON Benedikt, 2007, Myths of Rupture: The Manifesto and the Concept of Avant-Garde, (in:) Modernism, Astradur Eysteinsson & Vivian Liska (eds.), Amsterdam–Philadelphia: John Benjamins, 173–194.

LUCA Gherasim, TROST Dolfi, 2001, Dialectics of the Dialectic, (in:) Surrealism against the Current. Tracts and Declarations, edited and transl. by Michael Richardson, Krzysztof Fijałkowski, London: Pluto Press, 32–41.

MORAR Ovidiu, 2003, Avatarurile suprarealismului românesc, Bucuresti: Editura Univers. 

NAUM Gellu, 1999, Medium, transl. by Monica Voiculescu, Plural Magazine 3/1999 (“The Romanian Avant-Garde”): 96–109.

NAUM Gellu, 2012, Cerneala surdă, (in:) idem, Opere II. Proză, red. Simona Popescu, Iasi: Polirom, 169–180.

PANĂ Sasa, 2007, Manifesto, (in:) Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910–1930, Timothy O. Benson & Éva Forgács (eds.), transl. by Monica Voiculescu, Cambridge, Mass.–London: MIT Press, 708.

POP Ion, 1990, Avangarda în literatura română, Bucuresti: Editura Minerva.

RĂILEANU Petre, 1999, 1928–1939, transl. by Monica Voiculescu, Plural Magazine 3/1999 (“The Romanian Avant-Garde”): 65–73.

RĂILEANU Petre, 2005, Gherasim Luca, transl. by Anisoara Biru, Bucuresti: Editura Junimea.

RICHARDSON Michael, FIJAŁKOWSKI Krzysztof, 2001, Introduction: Surrealism as a Collective Adventure, (in:) Surrealism against the Current. Tracts and Declarations, edited and transl. by Michael Richardson, Krzysztof Fijałkowski, London: Pluto Press, 1–18.

VORONCA Ilarie, 2007a, Surrealism and Integralism, (in:) Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910–1930, Timothy O. Benson & Éva Forgács (eds.), transl. by Julian Semilian, Sanda Agalidi, Cambridge, Mass.–London: MIT Press, 555–556.

VORONCA Ilarie, 2007b, Voices, (in:) Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910–1930, Timothy O. Benson & Éva Forgács (eds.), transl. by Julian Semilian, Sanda Agalidi, Cambridge, Mass.–London: MIT Press, 549–550.