Data publikacji: 31.10.2018
Licencja:
CC BY-NC-ND
Redakcja
Sekretarz redakcji Dominika Kaniecka
Redaktor naczelny Celina Juda
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 133-140
https://doi.org/10.4467/20843933ST.18.013.8956Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 141-154
https://doi.org/10.4467/20843933ST.18.014.8957Shakespeare Cut and Refashioned: The Ukrainian Translation of Hamlet Made by Hnat Khotkevych (1920s)
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 155-163
https://doi.org/10.4467/20843933ST.18.015.8958Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 165-183
https://doi.org/10.4467/20843933ST.18.016.8959Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 185-194
https://doi.org/10.4467/20843933ST.18.017.8960Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 195-204
https://doi.org/10.4467/20843933ST.18.018.8961Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 205-218
https://doi.org/10.4467/20843933ST.18.019.8962Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 3, 2018, s. 219-235
https://doi.org/10.4467/20843933ST.18.020.8963Słowa kluczowe: Richard II, drama translation, metadrama, back translation, The Merry Wives of Windsor, Puste kobiety z Windsoru, John of Dycalp, Placyd Jankowski, William Shakespeare, drama translation, Shakespeare, Hamlet, Hnat Khotkevych, translation, domestication, stage production, playtext, copied versus genuine King Lears, Hungarian social-cultural- -geopolitical context, theatre as media, Hamlet, page-oriented vs. stage-oriented translation, 19th century, Romanian principalities, translation, fascism, self-censorship, A Midsummer Night’s Dream, Sen nocy letniej, translation, adaptation, Gałczyński, Możdżer, Kościelniak, rock-opera, Shakespeare, translation for the stage, cultural elements, The Tempest