Data publikacji: 02.08.2022
Publikacja została sfinansowana ze środków programu “Inicjatywa Doskonałości – Uczelnia Badawcza” w Uniwersytecie Jagiellońskim.
Licencja: CC BY-NC-ND
Redakcja
Redaktor naczelny Katarzyna Bazarnik
Redaktorzy zeszytU Véronique Ferrer, Dariusz Krawczyk, Barbara Marczuk-Szwed
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https://doi.org/10.4467/20843933ST.22.014.15602Słowa kluczowe: poésie néo-latine, poésie élégiaque de la Renaissance, Clément Ianicius, mélancolie, maladie et tristesse en littérature; Neo-Latin poetry, renaissance elegiac poetry, Clemens Ianicius, melancholy, disease and sadness in literature, genius, dream, artist, witchcraft, diable, illusion, génie, songe, artiste, sorcellerie; devil, Marguerite de Navarre, mélancolie, Chansons spirituelles, médecine humorale, Imitation du Christ, Pétrarque, dolce pena; Marguerite de Navarre, melancholia, humoral medicine, Imitation of Christ, Petrarch, dolce pena, mélancolie érotique, folie amoureuse, poésie de la fin du XVIe siècle, savoir médical, imaginaire démoniaque; erotic melancholy, love madness, late 16th century poetry, medical knowledge, demonic imaginary, Marot, poésie de la Renaissance, paraphrases des Psaumes, mélancolie; Marot, French Renaissance poetry, Psalm paraphrases, melancholy, emblèmes médicaux, Louis de Caseneuve, mélancolie, corruption de l’imagination, méthode mnémonique; medical emblems, melancholy, disorders of the imagination, mnemonic method, apocalypse, éloquence sacrée, mélancolie, Michel Quillian, peur, crainte, ekphrasis, hypotypose; apocalypse, sacred rhetoric, melancholy, fear, hypotyposis, mélancolie, Renaissance, poésie, humeurs, tempérament, maladie; melancholy, poetry, humours, temperament, disease, Joachim Du Bellay, Rome, mélancolie, espoir, sonnet; Joachim Du Bellay, melancholy, hope, sonnet