Data publikacji: 22.01.2018
Licencja: CC BY-NC-ND
Redakcja
Redaktor naczelny Celina Juda
Sekretarz redakcji Anna Car
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https://doi.org/10.4467/20843933ST.17.013.7579Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 175 - 185
https://doi.org/10.4467/20843933ST.17.014.7580Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 187 - 197
https://doi.org/10.4467/20843933ST.17.015.7581Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 199 - 208
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https://doi.org/10.4467/20843933ST.17.019.7585Słowa kluczowe: The Disoriented, Amin Maalouf, exile, identity, real or supposed affiliations., Chaucer, The Wife of Bath’s Tale, Voltaire, Ce qui plait aux dames, Julian Ursyn Niemcewicz, Co się damom podoba, translation, adaptation, rewriting, gender, medievalism., jealousy, dangerous emotions, pragmatics, discourse, semantic and syntactic structures, text-linguistics., brothels, contraception, divorce, duel, impotence, love, prostitution, marriage, masturbation, menstruation, morality, relationship, religion, sexuality, Women’s Associations., Dante, The Divine Comedy, Hell, Master Adam, Greek Sinon, guilt, contrapasso, theatricality., naturalizm, dekadentyzm, Eros i Tanatos, homoerotyzm, literatura serbska początku XX wieku., Shakespeare, Agata Duda-Gracz, The Tempest, Po Burzy Szekspira, stage design, images of death.