Data publikacji: 22.01.2018
Licencja:
CC BY-NC-ND
Redakcja
Sekretarz redakcji Anna Car
Redaktor naczelny Celina Juda
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 165-174
https://doi.org/10.4467/20843933ST.17.013.7579Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 175-185
https://doi.org/10.4467/20843933ST.17.014.7580Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 187-197
https://doi.org/10.4467/20843933ST.17.015.7581Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 199-208
https://doi.org/10.4467/20843933ST.17.016.7582Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 209-222
https://doi.org/10.4467/20843933ST.17.017.7583Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 223-233
https://doi.org/10.4467/20843933ST.17.018.7584Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 3, 2017, s. 235-244
https://doi.org/10.4467/20843933ST.17.019.7585Słowa kluczowe: Chaucer, The Wife of Bath’s Tale, Voltaire, Ce qui plait aux dames, Julian Ursyn Niemcewicz, Co się damom podoba, translation, adaptation, rewriting, gender, medievalism, jealousy, dangerous emotions, pragmatics, discourse, semantic and syntactic structures, text-linguistics, brothels, contraception, divorce, duel, impotence, love, prostitution, marriage, masturbation, menstruation, morality, relationship, religion, sexuality, Women’s Associations, naturalizm, dekadentyzm, Eros i Tanatos, homoerotyzm, literatura serbska początku XX wieku, The Tempest, Po Burzy Szekspira, stage design, images of death., Shakespeare, Agata Duda-Gracz