Analysing Dangerous Emotions: Pragmatics of Jealousy in Othello’s Speech

Alina  Ielisieieva

Tytuły

Abstrakt

Abstract

To achieve its cathartic effect tragedy must communicate and elicit emotions. Any dramatic utterance, treated as an act of communication within the represented world, rests on the interaction of two inseparable, accordant, and interrelated systems – language and emotions. Language can name and verbalize emotions in order to construct them in the dramatic world, but to create a linguistic image of a believable emotional utterance the language a character speaks must appear to be influenced and shaped by emotions. Further, that mimetic representation of emotion through language must be understood by the audience. To achieve this, dramatic language must either rely on conventional linguistic means used to express emotions or create its own code that will be decoded by the audience. The audience will vicariously experience the characters’ emotions by recognizing them in their language and actions.

The emotionally dynamic image of Othello, one of the most passionate men of Elizabethan drama, is created primarily by the language he uses. To follow the changes in the syntax and the semantics of his language as the action of the play develops is to observe the transformation of the character from a loving and caring husband into a jealous beast that knows no mercy.

The article will offer an analysis of the pragmalinguistic representation of jealousy in Othello’s language and show how his discourse changes in the text. The analysis will rely on basic pragmatic categories and consider Othello’s use of directives, assertives, expressives, etc. The emotional change in Othello will also be illustrated by a brief study of the change in his syntax and his vocabulary: from balanced rhetorics and sophisticated words to erratic speech and expletive swearwords.

To achieve its cathartic effect tragedy must communicate and elicit emotions. Any dramatic utterance, treated as an act of communication within the represented world, rests on the interaction of two inseparable, accordant, and interrelated systems – language and emotions. Language can name and verbalize emotions in order to construct them in the dramatic world, but to create a linguistic image of a believable emotional utterance the language a character speaks must appear to be influenced and shaped by emotions. Further, that mimetic representation of emotion through language must be understood by the audience. To achieve this, dramatic language must either rely on conventional linguistic means used to express emotions or create its own code that will be decoded by the audience. The audience will vicariously experience the characters’ emotions by recognizing them in their language and actions.

The emotionally dynamic image of Othello, one of the most passionate men of Elizabethan drama, is created primarily by the language he uses. To follow the changes in the syntax and the semantics of his language as the action of the play develops is to observe the transformation of the character from a loving and caring husband into a jealous beast that knows no mercy.

The article will offer an analysis of the pragmalinguistic representation of jealousy in Othello’s language and show how his discourse changes in the text. The analysis will rely on basic pragmatic categories and consider Othello’s use of directives, assertives, expressives, etc. The emotional change in Othello will also be illustrated by a brief study of the change in his syntax and his vocabulary: from balanced rhetorics and sophisticated words to erratic speech and expletive swearwords.

Słowa kluczowe

jealousy, dangerous emotions, pragmatics, discourse, semantic and syntactic structures, text-linguistics.

Bibliografia

Primary source

Shakespeare W., Othello, London 2001.

Secondary sources

Buss D.M., Sexual Jealousy, “Psychological Topics” 2013,n 22(2), p. 155–182.

Calderwood J.L., Speech and Self in Othello, “Shakespeare Quarterly” 1987, n 38(3), p. 293–303.

Condoravdi C., Lauer S., Imperatives: Meaning and Illocutionary Force, Colloque de Syntaxe et Semantique a Paris, Universite Paris 8, 21–23 September 2011, conference presentation.

Lacan J., Aggressiveness in Psychoanalysis [in:] J. Lacan, Ecrits: The First Complete Edition in English, transl. B. Fink, New York 2006, p. 82–101.

Lacan J., A Theoretical Introduction to the Functions of Psychoanalysis in Criminology [in:] J. Lacan, Ecrits: The First Complete Edition in English, transl. B. Fink, New York 2006, p. 102–122.

Lacan J., The Function and Field of Speech and Language in Psychoanalysis [in:] J. Lacan, Ecrits: The First Complete Edition in English, transl. B. Fink, New York 2006, p. 197–268.

Lacan J., The Mirror Stage as Formative of the I Function as Revealed in Psychoanalytic Experience [in:] J. Lacan, Ecrits: The First Complete Edition in English, transl. B. Fink, New York 2006, p. 75–81.

Macaulay M., When Chaos Is Come Again: Narrative and Narrative Analysis in Othello, “Style” 2005,n 39(3), p. 259–275.

Searle J., A Classification of Illocutionary Acts, “Language in Society” 1976,n 5.1, p. 1–23.

Searle J., A Taxonomy of Illocutionary Acts [in:] Language, Mind and Knowledge,ed. K. Gunderson, Minneapolis 1975, p. 344–369.

Takahashi H., A Cognitive Linguistic Analysis of the English Imperative: With Special Reference to Japanese Imperatives, Philadelphia 2012.

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Informacje

Informacje: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2017, Volume 12, Issue 3, s. 187 - 197

DOI: https://doi.org/10.4467/20843933ST.17.015.7581

Typ artykułu: Oryginalny artykuł naukowy

Tytuły:

Polski:

Analysing Dangerous Emotions: Pragmatics of Jealousy in Othello’s Speech

Angielski:

Analysing Dangerous Emotions: Pragmatics of Jealousy in Othello’s Speech

Autorzy

Alina Ielisieieva

https://orcid.org/0000-0002-7758-8346

Jagiellonian University, Krakow, Poland, Gołębia 24, 31-007 Kraków, Poland

Publikacja: 22.01.2018

Status artykułu: Otwarte

Licencja: CC BY-NC-ND

Udział procentowy autorów:

Alina Ielisieieva (Autor) - 100%

Korekty artykułu:

-

Języki publikacji:

Angielski

Liczba wyświetleń: 1374

Liczba pobrań: 3806

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Tytuły

Abstrakt

Słowa kluczowe

Bibliografia

Informacje

Autorzy