Data publikacji: 19.07.2018
Licencja:
CC BY-NC-ND
Redakcja
Sekretarz redakcji Dominika Kaniecka
Redaktor naczelny Celina Juda
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 2, 2018, s. 77-88
https://doi.org/10.4467/20843933ST.18.007.8629Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 2, 2018, s. 89-96
https://doi.org/10.4467/20843933ST.18.008.8630Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 2, 2018, s. 97-106
https://doi.org/10.4467/20843933ST.18.009.8631Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 2, 2018, s. 107-115
https://doi.org/10.4467/20843933ST.18.010.8632Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 2, 2018, s. 117-124
https://doi.org/10.4467/20843933ST.18.011.8633Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 2, 2018, s. 125-132
https://doi.org/10.4467/20843933ST.18.012.8634Słowa kluczowe: Irish novel, Eimear McBride, James Joyce, repetition, style, rewriting, retelling, feminist rewriting, Michèle Roberts, Mud: Stories of Sex and Love, repetition, music, the past, post-colonialism, Peter Carey, historical novel, David Mitchell, Cloud Atlas, repetition, historical cycle, eternal recurrence, repetition, nostalgia, biopic, reminiscences, reconstruction, Kate Morton, multiple perspectives, formal repetition, B.S. Johnson, J.M. Coetzee, Dariusz Orszulewski