Publication date: 2021
PROJEKT OKŁADKI: Małgorzata Flis
Licence:
CC BY-NC-ND
Editorial team
Issue editors Elżbieta Binczycka-Gacek, Dariusz Brzostek
Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 1 - 1
Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 479 - 495
https://doi.org/10.4467/20843860PK.21.033.14353Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 496 - 510
https://doi.org/10.4467/20843860PK.21.034.14354Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 511 - 524
https://doi.org/10.4467/20843860PK.21.035.14355Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 525 - 538
https://doi.org/10.4467/20843860PK.21.036.14356Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 539 - 553
https://doi.org/10.4467/20843860PK.21.037.14357Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 554 - 561
https://doi.org/10.4467/20843860PK.21.038.14358Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 562 - 580
https://doi.org/10.4467/20843860PK.21.039.14359Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 581 - 598
https://doi.org/10.4467/20843860PK.21.040.14360Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 599 - 621
https://doi.org/10.4467/20843860PK.21.041.14361Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 622 - 639
https://doi.org/10.4467/20843860PK.21.042.14362Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 640 - 649
https://doi.org/10.4467/20843860PK.21.043.14363Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 650 - 657
https://doi.org/10.4467/20843860PK.21.044.14364Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 658 - 666
https://doi.org/10.4467/20843860PK.21.045.14365Arts & Cultural Studies Review, Numer 3 (49) „Powrót futuryzmów”, 2021, pp. 667 - 675
https://doi.org/10.4467/20843860PK.21.046.14366Słowa kluczowe: Polish science fiction, Africa, foreign affairs, socialism, future, afrofuturism, African-American novel, neo-slave narrative, postrace fiction, speculative satire, afrofuturism, comparative literature, Flying Africans, postcolonialism, postcolonial literature, Afrofuturism, Post-colonialism, African identity, Black utopia, retrotopia, science fiction, artificial intelligence, narrative, Golem XIV, Fragmenty dziennika SI, Stefan Morawski, Roman Ingarden, film, axiology, avant-garde art, neo-avant-garde art, avant-garde theory, continuity and discontinuity, avant-garde and neo-avant-garde, postmodernism, modernity, boundary, identity, otherness, metaphysical thinking, film criticism, film realism, Marxism, Roman Ingarden, Stefan Morawski, correspondence, Jagiellonian University, University of Warsaw, aesthetics, French digital games, French Touch, Alexis Blanchet, Guillaume Montagnon, game studies, performance, songs, performance studies, song lyrics studies, performative writing