Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 1 - 14
https://doi.org/10.4467/20843860PK.14.001.3519Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 15 - 26
https://doi.org/10.4467/20843860PK.14.001.3520Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 27 - 34
https://doi.org/10.4467/20843860PK.14.003.3521Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 35 - 50
https://doi.org/10.4467/20843860PK.14.004.3522Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 51 - 68
https://doi.org/10.4467/20843860PK.14.005.3523Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 69 - 78
Arts & Cultural Studies Review, Issue 1 (23), 2015, pp. 90 - 94
Słowa kluczowe: interpretation “so far” / interpretation “from now on”, non-dualizing model of interpretation, constructivism, anti-essentialism, from-object epistemology, K-pop, participatory culture, popular culture, creative consumption, identity, sound studies, gramophone, sound perception, noise, sound representation, liveness, Holocaust, representation, posthumanism, post-politics, Maus, literature, literary science, Cyril Northcote Parkinson, bureaucracy