Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 259 - 273
https://doi.org/10.4467/20843860PK.13.027.2079Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 274 - 286
https://doi.org/10.4467/20843860PK.13.028.2080Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 287 - 300
https://doi.org/10.4467/20843860PK.13.029.2081Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 301 - 310
https://doi.org/10.4467/20843860PK.13.030.2082Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 311 - 321
https://doi.org/10.4467/20843860PK.13.031.2083Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 322 - 329
https://doi.org/10.4467/20843860PK.13.032.2084Arts & Cultural Studies Review, Issue 4 (18) , 2013, pp. 330 - 335
https://doi.org/0.4467/20843860PK.13.033.2085Słowa kluczowe: photography, documentary, urban memory, artistic practice, the urban space, visual methods, literature, Central European literature, Marija Jurić Zagorka, Michal Ajvaz, George Konrad, geomedia, urban computing, participatory mapping, data-driven activism, Ushahidi, Crowdmap, crowdsourcing, crowdfunding, crowdmapping, advertising, subvertising, adbusting, culture jammming