Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 1 - 17
https://doi.org/10.4467/20843860PK.18.001.8588Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 18 - 32
https://doi.org/10.4467/20843860PK.18.002.8589Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 33 - 47
https://doi.org/10.4467/20843860PK.18.003.8590Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 48 - 63
https://doi.org/10.4467/20843860PK.18.004.8591Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 64 - 83
https://doi.org/10.4467/20843860PK.18.005.8592Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 84 - 99
https://doi.org/10.4467/20843860PK.18.006.8593Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 100 - 117
https://doi.org/ 10.4467/20843860PK.18.007.8594Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 118 - 129
https://doi.org/10.4467/20843860PK.18.008.8595Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 130 - 133
Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 134 - 139
Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 140 - 145
Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 146 - 150
Arts & Cultural Studies Review, Issue 1 (35), 2018, pp. 151 - 160
Słowa kluczowe: culture, a mobile army, attitude, event, action, condition, tension, nieśmiertelność, mindfiles, biofiles, dolina niesamowitości, determinizm genetyczny, sobowtór, immortality, mindfiles, biofiles, uncanny valley, genetic determinism, Doppelgänger, power, authority, performative function, verbal formulae, insignia, rituals, social classes, relocation, relic, icon, assemblage, expanded cinema, hypertrophy, spectatorship, popular front cinema, film noir, poetic realism, existentialism, film history, Anna Okrasko, Lot’s wife, Berlin, city, public space, cultural memory, cultural belonging, monuments and memorials dedicated to women, Krzysztof Wodiczko, affective space, the virtual, Gilles Deleuze, ethicoaesthetics
