Publication date: 29.08.2019
The publication was fi nanced in the program of the MInister of Science and Higher Education under the name „National Program for the Development of the Humanities in the years 2017– 2019, number 3bH15017583
Licence:
CC BY-NC-ND
Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 1 - 1
https://doi.org/10.4467/20843860PK.19.007.10902Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 135 - 150
https://doi.org/10.4467/20843860PK.19.008.10903Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 151 - 180
https://doi.org/10.4467/20843860PK.19.009.10904Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 181 - 195
https://doi.org/10.4467/20843860PK.19.010.10905Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 196 - 210
https://doi.org/10.4467/20843860PK.19.011.10906Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 211 - 228
https://doi.org/10.4467/20843860PK.19.012.10907Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 229 - 243
https://doi.org/10.4467/20843860PK.19.013.10908Arts & Cultural Studies Review, Issue 2 (40), 2019, pp. 244 - 251
Słowa kluczowe: Sosnowsky’s Hogweed, critical posthumanism, biopolitics, vegetal sexuality, matter, narrativity, strongly possible worlds, storyworld, bio art, non-human actors, intentionality, sign and signal, non-representational theory, Japan, Roland Barthes, Gilbert Simondon, body, abstract art, sculpture, posthumanism, dance, Butoh, Body Weather, space, reflexivity, girlhood, feminism, artivism, feminist artistic practices, confessionalism