Against Theory: Selected “Girlhood” Feminist Artistic Practices in Poland
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RIS BIB ENDNOTEAgainst Theory: Selected “Girlhood” Feminist Artistic Practices in Poland
Publication date: 20.11.2019
Arts & Cultural Studies Review, 2019, Issue 2 (40), pp. 211 - 228
https://doi.org/10.4467/20843860PK.19.012.10907Authors
The mass public protests against introduction of further limitations on women’s reproductive rights in 2016 become important moment for the Polish feminist movement. Yet, the movement’s structure and semiotic reservoir of justifi cations has visibly changed in the recent years. The young Polish feminism has become more “girlish” than “womanly”. In our paper, we analyze how the “girlhood” artistic practices fi t into the renewal of contemporary refl ection on the gender roles of women and the Polish feminist movement. We analyzed practices of young Polish artivists, involved in girlhood-feminist collectives, and compared their cultural tactics with those of selfi e feminism. The paper focuses on girlhood practices as activities which take place across the individual and collective divide and redefi ne the public sphere. Demonstrating how these initiatives negotiate the normative cultural system, we present expressions of the girlhood experience and describe its social and structural conditions. We analyze feminist artistic practices as expressible and language-based feminine emancipatory practices, using tools typical of analysis of discourse and, predominantly, linguistic performance.
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Information: Arts & Cultural Studies Review, 2019, Issue 2 (40), pp. 211 - 228
Article type: Original article
Titles:
Against Theory: Selected “Girlhood” Feminist Artistic Practices in Poland
Adama Mickiewicz University in Poznań, Cultural Studies Faculty, ul. Szamarzewskiego 89A, Poznań
Uniwersytet im. Mikołaja Kopernika w Toruniu, Katedra Kulturoznawstwa, ul. Fosa Staromiejska 3 87-100 Toruń
Published at: 20.11.2019
Article status: Open
Licence: CC BY-NC-ND
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EnglishView count: 1500
Number of downloads: 1128