Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 12 - 25
https://doi.org/10.4467/20843860PK.12.001.0641Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 26 - 35
https://doi.org/10.4467/20843860PK.12.002.0642Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 36 - 50
https://doi.org/10.4467/20843860PK.12.003.0643Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 51 - 60
https://doi.org/10.4467/20843860PK.12.004.0644Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 61 - 70
https://doi.org/10.4467/20843860PK.12.005.0645Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 71 - 93
https://doi.org/10.4467/20843860PK.12.006.0646Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 94 - 111
https://doi.org/10.4467/20843860PK.12.007.0647Arts & Cultural Studies Review, Issue 1 (11) , 2012, pp. 112 - 118
https://doi.org/10.4467/20843860PK.12.008.0648Słowa kluczowe: axis mundi, landscape, memory, mnemotop, nation (people), pilgrimage, religion, ritual of passage, romantic mythology, way, epiphany, experience, Italian journey, poetry, „holy landscape”, la Mancha, landscape, mnemotopos, place of memory, route of Don Quixote, history of culture, lifestyle based on values, sites of memory, Wałbrzych, abandoned places, cultural palimpsest, landscapes of emptiness, photographs, symbolization, Holocaust, Jewish history, memory, Polish-Jewish relations, mnemotopoi of Polish Protestants, protestantism, international projects, Germany, Poland, rememberance areas