Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 127 - 147
https://doi.org/10.4467/20843860PK.13.013.2862Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 148 - 162
https://doi.org/10.4467/20843860PK.13.014.2863Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 163 - 177
https://doi.org/10.4467/20843860PK.13.015.2864Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 178 - 199
https://doi.org/10.4467/20843860PK.13.016.2865Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 200 - 213
https://doi.org/10.4467/20843860PK.13.017.2866Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 214 - 231
https://doi.org/10.4467/20843860PK.13.018.2867Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 232 - 246
https://doi.org/10.4467/20843860PK.13.019.2868Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 247 - 258
https://doi.org/10.4467/20843860PK.13.020.2869Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 259 - 264
https://doi.org/10.4467/20843860PK.13.021.2870Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 265 - 270
https://doi.org/10.4467/20843860PK.13.022.2871Arts & Cultural Studies Review, Issue 2 (20) , 2014, pp. 271 - 279
https://doi.org/10.4467/20843860PK.13.023.2872Słowa kluczowe: playable literature, aesthetics of bookishness, Jessica Pressman, Liberacy, Jim Andrews, Benjamin Ortiz Moreno, Nick Montfort, digital humanities, author-programmer, text-machines, expressive processing, creative computing, poetry generators, remix, demoscene, Oulipo, constraints, tactical media, copyleft, free software, text-minig, Jim Andrews, DHTML, e-poetry, sign language, poetry, literature, Polish Sign Language, tradition, discourse of face, anthropology of face, cinematic face, mediatization, culture studies, neoliberalism, monoculture, mediation, freedom, consumption, designer drugs, agency, materialism, biopolitics, posthumanism, intersectionality, subjectivity, sex, race, feminism