Publication date: 03.2023
PROJEKT OKŁADKI: Małgorzata Flis
Licence:
CC BY
Editorial team
Deputy Editor-in-Chief Ewelina Twardoch-Raś
Secretary Justyna Janik
Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 1 - 15
https://doi.org/10.4467/20843860PK.23.001.17844Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 16 - 34
https://doi.org/10.4467/20843860PK.23.002.17845Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 35 - 52
https://doi.org/10.4467/20843860PK.23.003.17846Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 53 - 68
https://doi.org/10.4467/20843860PK.23.004.17847Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 69 - 83
https://doi.org/10.4467/20843860PK.23.005.17848Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 84 - 100
https://doi.org/10.4467/20843860PK.23.006.17849Arts & Cultural Studies Review, Issue 1 (55) Kulturowe emancypacje i transgresje, 2023, pp. 101 - 111
https://doi.org/10.4467/20843860PK.23.007.17850Słowa kluczowe: deaf/Deaf, sound, acoustemology, emancipation, emancipatory strategies, women’s food practices, alternative food networks, allotment gardens, food self-provisioning, sustainable solutions, first-person shooter, memory, war, Vietnam War, Hollywood, Kanye West, Toyomu, hip hop, assemblage theory, digital music, remix, postcolonial science fiction, cyborg, Larissa Lai, Blade Runner, alternate history, future, memory, Jacek Dukaj, Łukasz Orbitowski, women directors, film theory, avant-garde, feminism, historical narrative