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https://doi.org/10.4467/20843860PK.12.033.0996Arts & Cultural Studies Review, Issue 4 (14) , 2012, pp. 405 - 408
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https://doi.org/10.4467/20843860PK.12.036.0999Arts & Cultural Studies Review, Issue 4 (14) , 2012, pp. 415 - 419
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https://doi.org/10.4467/20843860PK.12.040.1003Słowa kluczowe: feminist theology, gender as ideology, feminism and Catholic church, postcolonial feminist theory, marxist feminism, subaltern subjects, Ann Hui cinema, Hong Kong cinema, diasporic identity, women’s cinema, soap opera reception, qualitative audience research, gendered reception of Polish TV series, anthropology of TV reception, gender, ethnomusicology, women’s history, feminist musicology