Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 185 - 197
https://doi.org/10.4467/20843860PK.14.012.4081Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 198 - 211
https://doi.org/10.4467/20843860PK.14.013.4082Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 212 - 226
https://doi.org/10.4467/20843860PK.14.014.4083Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 227 - 238
https://doi.org/10.4467/20843860PK.14.015.4084Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 239 - 257
https://doi.org/10.4467/20843860PK.14.016.4085Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 258 - 271
https://doi.org/10.4467/20843860PK.14.017.4086Arts & Cultural Studies Review, Issue 3 (25) , 2015, pp. 272 - 277
https://doi.org/10.4467/20843860PK.14.018.4087Słowa kluczowe: musical dreams, inspiration, neuroaesthetics, Kagel, Stockhausen, Stravinsky, Varèse, mobilization, university, banlieue, democracy, blocage, verlan, Arbus, Model, photography, camp, Sontag, flâneuse, consumption, creativity, individualization, craft consumption, Polish theatre, modern drama, Holocaust, Shoah