Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 1 - 19
https://doi.org/10.4467/20843860PK.17.001.6930Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 20 - 34
https://doi.org/10.4467/20843860PK.17.002.6931Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 35 - 51
https://doi.org/10.4467/20843860PK.17.003.6932Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 52 - 63
https://doi.org/10.4467/20843860PK.17.004.6933Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 64 - 84
https://doi.org/10.4467/20843860PK.17.005.6934Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 85 - 105
https://doi.org/10.4467/20843860PK.17.006.6935Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 106 - 125
https://doi.org/10.4467/20843860PK.17.007.6936Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 126 - 130
https://doi.org/10.4467/20843860PK.17.008.6937Arts & Cultural Studies Review, Issue 1 (31), 2017, pp. 131 - 138
https://doi.org/10.4467/20843860PK.17.009.6938Słowa kluczowe: anthropology of sound, audio-ethnography, field recording, research method, sonic ethnography, body, audiovisuality, perception, sound, voice, deafness, prosthesis, visibility, disability studies, deaf studies, sound studies, phonography, audio culture, acoustic ecology, quality, stereo, radio-engineering industry, UNITRA, identity, modernity, free jazz, Polish Radio Experimental Studio, archives, audiality, anthropology, comparative, culture studies of sounds
