Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 119 - 140
https://doi.org/10.4467/20843860PK.12.009.0649Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 141 - 152
https://doi.org/10.4467/20843860PK.12.010.0650Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 153 - 162
https://doi.org/10.4467/20843860PK.12.011.0651Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 163 - 170
https://doi.org/10.4467/20843860PK.12.012.0652Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 171 - 182
https://doi.org/10.4467/20843860PK.12.013.0653Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 183 - 190
https://doi.org/10.4467/20843860PK.12.014.0654Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 191 - 195
https://doi.org/10.4467/20843860PK.12.015.0655Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 196 - 201
https://doi.org/10.4467/20843860PK.12.016.0656Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 202 - 208
https://doi.org/10.4467/20843860PK.12.017.0657Arts & Cultural Studies Review, Issue 2 (12) , 2012, pp. 209 - 211
Słowa kluczowe: borderlands, cultural memory, Lower Silesia, audiosphere, bells, bugle calls, commemoration, phonic mnemotopos, silence, sirens, photo elicitation, photography, place of memory, cinema, films, Franco’s regime, memory, recovery of historical memory, republicans, Spain, Spanish Civil War, digitalization, new media, network, networked places of memory, virtual cemeteries, virtual museums