Publication date: 08.2024
Licence:
CC BY
Editorial team
Deputy Editor-in-Chief Ewelina Twardoch-Raś
Secretary Justyna Janik
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 267 - 270
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 271 - 284
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 285 - 306
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 307 - 323
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 324 - 338
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 339 - 354
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 355 - 373
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 374 - 389
Arts & Cultural Studies Review, Issue 2 (60) Narracje cyrkularne – narracje liminalne, 2024 (First View), pp. 390 - 397
Słowa kluczowe: interactive documentary, webdoc, i-doc, data visualization, design, sublime, generative pornography, generative artificial intelligence, AI aesthetics, pornographic services, online porn, glitch, digital sexuality, digital self, algorithmic identity, social media, new media art, Erica Scourti, Timo Toots, Aram Bartholl, visibility, surface, figure of terminal, apparatus, Karolina Jarzębak, postinternet art, cyber folklore, remix culture, Generation Y, binge-watching, streaming platforms, narratives, storytelling, consumption behaviours, electracy, myth, narration, sense, social media