Data publikacji: 28.10.2022
Licencja: CC BY
Redakcja
Zastępca redaktora naczelnego Wojciech Szafrański, Andrzej Jakubowski
Dodatkowi redaktorzy Alicja Jagielska-Burduk
Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 12 - 20
Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 21 - 28
https://doi.org/10.4467/2450050XSNR.22.010.17023Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 29 - 48
https://doi.org/10.4467/2450050XSNR.22.011.17024Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 49 - 88
https://doi.org/10.4467/2450050XSNR.22.012.17025Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 89 - 114
https://doi.org/10.4467/2450050XSNR.22.013.17026Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 115 - 134
https://doi.org/10.4467/2450050XSNR.22.014.17027Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 135 - 158
https://doi.org/10.4467/2450050XSNR.22.015.17028Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 159 - 180
https://doi.org/10.4467/2450050XSNR.22.016.17029Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 181 - 206
https://doi.org/10.4467/2450050XSNR.22.028.17041Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 207 - 230
https://doi.org/10.4467/2450050XSNR.22.017.17030Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 231 - 262
https://doi.org/10.4467/2450050XSNR.22.018.17031Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 263 - 290
https://doi.org/10.4467/2450050XSNR.22.019.17032Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 291 - 306
https://doi.org/10.4467/2450050XSNR.22.020.17033Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 307 - 322
https://doi.org/10.4467/2450050XSNR.22.021.17034Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 323 - 340
https://doi.org/10.4467/2450050XSNR.22.022.17035Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 341 - 354
https://doi.org/10.4467/2450050XSNR.22.031.17044Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 355 - 370
https://doi.org/10.4467/2450050XSNR.22.023.17036Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 371 - 382
https://doi.org/10.4467/2450050XSNR.22.024.17037Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 383 - 406
https://doi.org/10.4467/2450050XSNR.22.025.17038Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 407 - 426
https://doi.org/10.4467/2450050XSNR.22.026.17039Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 427 - 442
https://doi.org/10.4467/2450050XSNR.22.027.17040Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 443 - 456
https://doi.org/10.4467/2450050XSNR.22.029.17042Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 457 - 472
https://doi.org/10.4467/2450050XSNR.22.030.17043Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 473 - 481
Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 482 - 491
Santander Art and Culture Law Review, 2/2022 (8), 2022, s. 492 - 495
Słowa kluczowe: Benin Bronzes, customary laws, Nigeria, restitutions, ownership, colonialism, Benin Bronzes, colonial violence, object biographies, restitution and return, museum ethics, national guidelines, relational cultural justice, cultural property, colonialism, repatriation, human rights, fossils, palaeontology, heritage, intangible heritage, living heritage, Nepal, restitution, Indigenous Peoples, repatriation of cultural property, alternative dispute resolution, Expert Mechanism on the Rights of Indigenous Peoples, totem pole, colonialism, colonial loot, Indigenous peoples, Aboriginal Australians, restitution, postcolonial studies, hard case, argumentation, colonial cultural object, Ceylon, Sri Lanka, Rijksmuseum Amsterdam, provenance research, restitution, cultural objects, decolonization, cultural sovereignty, China, restitution claims, colonialism, sovereign immunity, FSIA 1976, 2016 Clarification Act, 1900 exception, 1970 UNESCO Convention, 1995 UNIDROIT Convention, world heritage, nationalism, democracy, Burma, law and development, electronic music, borrowing, sampling, copyright protection, fair use, quotation, inspiration, derivative work, restitution, colonialism, cultural property, cultural objects, cultural heritage, Austria, restitution, colonial collections, inalienability, bilateral treaties, illegitimate acquisition, United Kingdom, Museums Act, colonial restitution, Benin Bronzes, Charities Act, colonial looting, restitution of cultural property, French restitution law, inalienability of public collections, return, restitution, colonialism, Germany, Benin Bronzes, Indonesia, cultural heritage, antiquities, repatriation, heritage protection, legal framework, restitution, colonial collections, the Netherlands, Nazi-looted art works, museums, colonial restitution, repatriation, decolonization, Scotland, cultural heritage, cultural objects, Indigenous peoples, Tribal peoples, colonialism, Switzerland, museum, colonial, provenance research, restitution