Data publikacji: 17.02.2017
Licencja: Żadna
Redakcja
Zastępca redaktora naczelnego Wojciech Szafrański
Redakcja numeru Francesca Fiorentini, Kristin Hausler, Alicja Jagielska-Burduk, Andrzej Jakubowski
Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 21 - 26
Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 27 - 34
https://doi.org/10.4467/2450050XSR.16.016.6124Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 35 - 56
https://doi.org/10.4467/2450050XSR.16.017.6125Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 57 - 70
https://doi.org/10.4467/2450050XSR.16.018.6126Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 71 - 84
https://doi.org/10.4467/2450050XSR.16.019.6127Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 85 - 102
https://doi.org/10.4467/2450050XSR.16.020.6128Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 103 - 118
https://doi.org/10.4467/2450050XSR.16.021.6129Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 119 - 134
https://doi.org/10.4467/2450050XSR.16.022.6130Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 135 - 148
https://doi.org/10.4467/2450050XSR.16.023.6131Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 149 - 164
https://doi.org/10.4467/2450050XSR.16.024.6132Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 165 - 178
https://doi.org/10.4467/2450050XSR.16.025.6133Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 179 - 194
https://doi.org/10.4467/2450050XSR.16.026.6134Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 195 - 210
https://doi.org/10.4467/2450050XSR.16.027.6135Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 211 - 236
https://doi.org/10.4467/2450050XSR.16.028.6136Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 237 - 246
https://doi.org/10.4467/2450050XSR.16.029.6137Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 247 - 262
https://doi.org/10.4467/2450050XSR.16.030.6138Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 263 - 265
https://doi.org/10.4467/2450050XSR.16.032.6140Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 266 - 269
https://doi.org/10.4467/2450050XSR.16.033.6141Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 270 - 273
https://doi.org/10.4467/2450050XSR.16.034.6142Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 274 - 276
https://doi.org/10.4467/2450050XSR.16.035.6143Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 277 - 280
Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 281 - 282
Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 283 - 289
Santander Art and Culture Law Review, 2/2016 (2), 2016, s. 290 - 312
https://doi.org/10.4467/2450050XSR.16.031.6139Słowa kluczowe: European Union, Directive 2014/60/EU, Council Directive 93/7/EEC, Internal Market Information System, movement of cultural goods, illicit traffic in cultural goods, due diligence, good faith acquisition, France, protection of cultural heritage, European Union, Directive 2014/60/EU, Council Directive 93/7/EEC, movement of cultural goods, Greek implementation of Directive 2014/60/EU, illegal trade in art, unlawful movement of artefacts, Cultural heritage, cultural property, free movement of goods, restitution, return of cultural property, 1995 UNIDROIT Convention, Germany, EU, Single European Market, 1970 UNESCO Convention, import and export, return of cultural property, due diligence, Directive 2014/60/EU, Netherlands, protection cultural heritage, unlawful removal, due diligence and provenance, Cultural property, Austria, EU legislation, cultural significance, criminal liability, cultural goods, European Union, restitution, illicit export, private international law, Illicit traffic, Cultural objects, Due diligence, UNIDROIT, UNESCO, International Law, UNIDROIT, Directive 2014/60/EU, illicit export, restitution, Poland, international trade, cultural exception, national treasures, return of cultural objects, compliance with international obligations, Art market, economic assessment, circulation of cultural goods in the EU, cultural heritage law, cultural property, trade, Indigenous rights, international law, Due diligence, Directive 2014/60/EU, cultural property, burden of proof, provenance, criminality, cultural heritage, robbery, destruction, Internal Market Information System, European Union, national treasures, cultural objects, international cooperation