Data publikacji: 27.09.2023
Czasopismo zostało dofinansowane ze środków Ministerstwa Nauki i Szkolnictwa Wyższego z pomocy przyznanej w ramach programu „Rozwój czasopism naukowych” 2022-2024.
Projekt okładki: Morski Studio Graficzne Sp. z o.o.
Licencja:
CC BY
Redakcja
Redaktor naczelny Alicja Jagielska-Burduk, Anna Koziczak
Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 15 - 21
https://doi.org/10.4467/2450050XSNR.23.019.18639Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 22 - 28
https://doi.org/10.4467/2450050XSNR.23.020.18640Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 29 - 36
https://doi.org/10.4467/2450050XSNR.23.021.18641Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 37 - 64
https://doi.org/10.4467/2450050XSNR.23.022.18642Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 65 - 86
https://doi.org/10.4467/2450050XSNR.23.023.18643Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 87 - 116
https://doi.org/10.4467/2450050XSNR.23.024.18644Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 117 - 142
https://doi.org/10.4467/2450050XSNR.23.025.18645Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 143 - 166
https://doi.org/10.4467/2450050XSNR.23.026.18646Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 167 - 190
https://doi.org/10.4467/2450050XSNR.23.027.18647Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 191 - 214
https://doi.org/10.4467/2450050XSNR.23.028.18648Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 215 - 242
https://doi.org/10.4467/2450050XSNR.23.029.18649Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 243 - 262
https://doi.org/10.4467/2450050XSNR.23.030.18650Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 263 - 292
https://doi.org/10.4467/2450050XSNR.23.031.18651Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 293 - 320
https://doi.org/10.4467/2450050XSNR.23.032.18652Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 321 - 332
https://doi.org/10.4467/2450050XSNR.23.033.18653Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 333 - 348
https://doi.org/10.4467/2450050XSNR.23.034.18654Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 349 - 364
Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 365 - 367
Santander Art and Culture Law Review, 2/2023 (9), 2023, s. 368 - 373
Słowa kluczowe: UNIDROIT, UNESCO, cultural object, due diligence, good faith, archives, museums, provenance research, Staatliche Museen zu Berlin, ReInHerit project, Cultural Heritage Management, fight against illicit trade of cultural property, return and restitution of cultural objects, provenance research, due diligence, blockchain, illicit trafficking, due diligence, criminal law, restitution, jus cogens, cultural property, cultural heritage, general international law, cultural heritage, cultural heritage rights, human rights, community, EU State aid, Article 107(3)(d) TFEU, undertakings, aid to promote culture and heritage conservation, value of personal data, European Data Protection Board, commercialization of personality rights, personal data as an asset, copyright law, dramatic works, theatre directors, stage directors, European copyright laws, cultural destruction, cultural heritage, transitional justice, guarantees of non-recurrence, World Heritage Convention, intangible cultural heritage, heritage law, heritage protection, 2003 UNESCO Convention, Nigeria, cultural heritage, civil law, criminal law, illicit trade, Cabeza de mujer joven, ownership of cultural property, export of cultural property, art market, archaeological heritage