Publication date: 23.08.2024
Licence: CC BY
Editorial team
Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 1 - 12
https://doi.org/10.4467/20843917RC.24.001.19710Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 13 - 23
https://doi.org/10.4467/20843917RC.24.002.19711Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 25 - 33
https://doi.org/10.4467/20843917RC.24.003.19712Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 35 - 43
https://doi.org/10.4467/20843917RC.24.004.19713Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 45 - 57
https://doi.org/10.4467/20843917RC.24.005.19714Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 59 - 68
https://doi.org/10.4467/20843917RC.24.006.19715Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 69 - 79
https://doi.org/10.4467/20843917RC.24.007.19716Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 81 - 86
https://doi.org/10.4467/20843917RC.24.008.19879Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 87 - 89
https://doi.org/10.4467/20843917RC.24.009.19880Romanica Cracoviensia, Volume 24, Issue 1, Volume 24 (2024), pp. 95 - 100
https://doi.org/10.4467/20843917RC.24.010.19881Słowa kluczowe: Republic of Moldova, Romanian language, Moldovan language, Izvestia, Russian Federation, Al Berto, postmodernism, Bible, illness discourses, Portuguese poetry, apocalypse, madness, consumer society, francophone theatre, Visniec, Beckett, Itzhak Katzenelson, Dos lid fun oysgehargetn yidishn folk, Yiddish poetry, translation, Batia Baum, historical phraseology, formula, medieval Castilian literature, Libro de Buen Amor, identity, immigration, Poles, Misiones, Argentina, lexicalization, verbal periphrasis, grammaticalization, explicative expression, Charles Perrault, Contes de ma mère l’Oye, Histoires du temps passé, Contes de Perrault, fairy tales, rewriting, literary history, 20th century Belgian literature, Francophone literature, postmodernity, Romanian literature, contemporary poetry, women’s writing, feminine poetics