Publication date: 2018
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Barbara Markowska
Deputy Editor-in-Chief Jakub Kornhauser
Secretary Jakub Kornhauser
Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 171 - 184
https://doi.org/10.4467/20843917RC.18.018.9590Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 185 - 192
https://doi.org/10.4467/20843917RC.18.019.9591Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 193 - 200
https://doi.org/10.4467/20843917RC.18.020.9592Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 201 - 208
https://doi.org/10.4467/20843917RC.18.021.9593Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 209 - 215
https://doi.org/10.4467/20843917RC.18.022.9594Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 217 - 226
https://doi.org/10.4467/20843917RC.18.023.9595Romanica Cracoviensia, Volume 18, Issue 4, Volume 18 (2018), pp. 227 - 234
https://doi.org/10.4467/20843917RC.18.024.9596Słowa kluczowe: thematical influence, intertextuality, hypotext, hypertext, imitation and genuine creation, Les trois aveugles de Compiègne, Jean Ott, Gérard Genette, transtextuality, troubadours, medievalism, Polish reception, Seventeenth-century French literature, Pierre de Deimier, René Rapin, L’Académie de l’Art Poétique, Réflexions sur la poétique et sur les poètes anciens et modernes, Im itation of the Ancients, Federico Fellini, repetition, plurivocality, autobiographical narration, spatial-turn, geopoetics, René-Charles Guilbert de Pixerécourt, novel, melodrama, French literature, François Guillaume Ducray-Duminil, French Revolution, theatre, national regeneration, Carbon de Flins Des Oliviers, freedom of speech