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Volume 19, Issue 3

Volume 19 (2019) Next

Publication date: 2019

Description

Umiędzynarodowienie czasopisma „Romanica Cracoviensia” przez zwiększenie liczby zagranicznych recenzentów w latach 2019 i 2020 – zadanie finansowane w ramach umowy nr 898/P-DUN/2019 ze środków Ministerstwa Nauki i Szkolnictwa Wyższego przeznaczonych na działalność upowszechniającą naukę.

Licence: CC BY-NC-ND  licence icon

Editorial team

Editor-in-Chief Barbara Markowska

Deputy Editor-in-Chief Orcid Jakub Kornhauser

Secretary Karolina Czerska

Issue content

Renata Jakubczuk

Romanica Cracoviensia, Volume 19, Issue 3, Volume 19 (2019), pp. 147 - 155

https://doi.org/10.4467/20843917RC.19.015.11827

In this paper, I analyse the plays of Belgian author Paul Willems in terms of the richness of their genre. To achieve this, I identify elements foreign to the art of classical theatre (according to Jacques Scherer’s concept). The analysis concerns the dramatic construction of the plays, the forms of the dialogue, the sequences of the paratext as well as the hermeneutical elements. In my approach, I rely on the theoretical propositions of Witold Wołowski.

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Valentyna Burbelo

Romanica Cracoviensia, Volume 19, Issue 3, Volume 19 (2019), pp. 157 - 167

https://doi.org/10.4467/20843917RC.19.017.11829

The existential discourse and its representation in fictional narration are envisaged in their two aspects – as protodiscourse and discourse of the epoch. Its basic structure of the “existeme” is shown through the positioning of the “self” in its narrative journey, the correlation of identity dominants vs experiential and discursive modes of manifestation/(re)presentation of “self” and the world. While promoting the principles of narrativization of human life of the envisaged epoch, The Manuscript found in Saragossa by Jan Potocki maximally condenses and accumulates them and thus demonstrates the discursivity as a mode of existence. 

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Elizaveta Prokopovich-Mikutska

Romanica Cracoviensia, Volume 19, Issue 3, Volume 19 (2019), pp. 169 - 180

https://doi.org/10.4467/20843917RC.19.018.11830

The article deals with the cases of usage of Lombard dialects (in particular those of Milan and Bergamo) in various genres of cinematographic production. The author shows the most significant examples of narrative fiction, documentaries as well as cartoons, and tries to analyse the reasons which make directors include pieces of dialect into their films. The author traces in diachrony both the evolution of the artistic value of dialects and the changes in the general attitude towards them, while the variety of genres presented permits a more universal overview and makes possible a more generalized classification of usages, which is given at the end of the article. 

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Przemysław Dębowiak

Romanica Cracoviensia, Volume 19, Issue 3, Volume 19 (2019), pp. 181 - 193

https://doi.org/10.4467/20843917RC.19.016.11828

The aim of the paper is to analyse, in a comparative perspective, the augmentatives in Portuguese and Romanian, two Romance languages traditionally called peripheral. As theoretical framework, some remarks on the phenomenon of evaluative derivation in general, and the augmentative one in particular, are presented. Different ways of forming evaluative derivatives, as well as the semantic values they normally convey, are mentioned. Furthermore, the mechanisms of the augmentative derivation in Portuguese and Romanian are analysed. Repertories of augmentative suffixes existing in both languages are depicted with an explanation of their origin and primitive semantic motivation. Their other functions and productivity are mentioned too. Also the process of lexicalization of augmentative derivatives is referred to on this regard. Based on this data, similarities, analogies and differences that can be observed in the field of evaluative morphology of both linguistic systems are pointed out. 

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Andrzej Zieliński

Romanica Cracoviensia, Volume 19, Issue 3, Volume 19 (2019), pp. 195 - 205

https://doi.org/10.4467/20843917RC.19.019.11831

The objective of the paper is to analyse the origin of the two meanings of the periphrastic construction <querer ‘will’ + infinitive>, founded in Spanish texts of the Middle Ages: the change of the discursive topic and the explanatory one of the ‘meaning’.

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