Publication date: 2019
Umiędzynarodowienie czasopisma „Romanica Cracoviensia” przez zwiększenie liczby zagranicznych recenzentów w latach 2019 i 2020 – zadanie finansowane w ramach umowy nr 898/P-DUN/2019 ze środków Ministerstwa Nauki i Szkolnictwa Wyższego przeznaczonych na działalność upowszechniającą naukę.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Barbara Markowska
Deputy Editor-in-Chief Jakub Kornhauser
Secretary Karolina Czerska
Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 79 - 87
https://doi.org/10.4467/20843917RC.19.008.11698Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 89 - 96
https://doi.org/10.4467/20843917RC.19.009.11699Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 97 - 105
https://doi.org/10.4467/20843917RC.19.010.11700Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 107 - 117
https://doi.org/10.4467/20843917RC.19.011.11701Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 119 - 128
https://doi.org/10.4467/20843917RC.19.012.11702Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 129 - 136
https://doi.org/10.4467/20843917RC.19.013.11703Romanica Cracoviensia, Volume 19, Issue 2, Volume 19 (2019), pp. 137 - 146
https://doi.org/10.4467/20843917RC.19.014.11704Słowa kluczowe: King Saul, theatrical adaptations of the Bible, French Biblical theatre in the Middle Ages, Renaissance and Classicism, tragedy and the tragic, Georg Kaiser, Jean-Victor Pellerin, alienation, dehumanization, expressionist drama, François Habert, Clément Marot, Jean Lemaire de Belges, temple, architecture, allegory, Rhétoriqueurs, Victor Segalen, bilingual masterwork, French modernism, “spoken paintings”, dialogism, intertextuality, intermediality, narration, Jean Echenoz, Éric Laurrent, Antoine Pickels, Belgian literature, Clinique d’un roi, metadrama, metahistory, Bible, intertextuality, Sartre, Camus, father, son, psychoanalysis, François Weyergans