Publication date: 15.11.2013
Licence: None
Editorial team
Editor-in-Chief Marcela Świątkowska
Secretary Iwona Piechnik
Romanica Cracoviensia, Volume 13, Issue 4, Volume 13 (2013), pp. 237 - 244
https://doi.org/10.4467/20843917RC.13.019.1404Romanica Cracoviensia, Volume 13, Issue 4, Volume 13 (2013), pp. 245 - 253
https://doi.org/10.4467/20843917RC.13.020.1405Romanica Cracoviensia, Volume 13, Issue 4, Volume 13 (2013), pp. 255 - 260
https://doi.org/10.4467/20843917RC.13.021.1406Romanica Cracoviensia, Volume 13, Issue 4, Volume 13 (2013), pp. 262 - 274
https://doi.org/10.4467/20843917RC.13.022.1407Romanica Cracoviensia, Volume 13, Issue 4, Volume 13 (2013), pp. 276 - 280
https://doi.org/10.4467/20843917RC.13.023.1408Romanica Cracoviensia, Volume 13, Issue 4, Volume 13 (2013), pp. 282 - 293
https://doi.org/10.4467/20843917RC.13.024.1409Słowa kluczowe: orientalisme au Moyen Age, Byzance dans la littérature, Orient au Moyen Age, Orient dans la littérature, migrant literature, imagology, arbëresh, Hora, Carmine Abate, Il ballo tondo, Dante, Divine Comedy, Inferno, Ulysses, Dido, Horace, Dante, Virgil, Divine Comedy, Aeneid, mythology, intertextuality, conception of art, Pontano, Eridanus, mythology, personification, corpus, savoir, moyen-âge, femmes, roman arthurien, Chrétien de Troyes, Italo Calvino