Publication date: 02.08.2022
This publication was funded by the program "Excellence Initiative – Research University" at the Jagiellonian University in Krakow.
Licence: CC BY-NC-ND
Editorial team
Editor-in-Chief Katarzyna Bazarnik
Issue Editors Véronique Ferrer, Dariusz Krawczyk, Barbara Marczuk-Szwed
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 17, Issue 2, 2022, pp. 49 - 60
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https://doi.org/10.4467/20843933ST.22.008.15596Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 17, Issue 2, 2022, pp. 87 - 96
https://doi.org/10.4467/20843933ST.22.009.15597Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 17, Issue 2, 2022, pp. 97 - 105
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https://doi.org/10.4467/20843933ST.22.013.15601Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 17, Issue 2, 2022, pp. 151 - 162
https://doi.org/10.4467/20843933ST.22.014.15602Słowa kluczowe: Neo-Latin poetry, renaissance elegiac poetry, Clemens Ianicius, melancholy, disease and sadness in literature, devil, illusion, genius, dream, artist, witchcraft, Marguerite de Navarre, melancholia, Chansons spirituelles, humoral medicine, Imitation of Christ, Petrarch, dolce pena, erotic melancholy, love madness, late 16th century poetry, medical knowledge, demonic imaginary, Marot, French Renaissance poetry, Psalm paraphrases, melancholy, medical emblems, Louis de Caseneuve, melancholy, disorders of the imagination, mnemonic method, apocalypse, sacred rhetoric, melancholy, Michel Quillian, fear, ekphrasis, hypotyposis, melancholy, Renaissance, poetry, humours, temperament, disease, Joachim Du Bellay, Rome, melancholy, hope, sonnet