Publication date: 10.2021
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Katarzyna Bazarnik
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 3, 2021, pp. 153 - 167
https://doi.org/10.4467/20843933ST.21.012.14002Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 3, 2021, pp. 169 - 195
https://doi.org/10.4467/20843933ST.21.013.14003Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 3, 2021, pp. 197 - 210
https://doi.org/10.4467/20843933ST.21.014.14004Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 3, 2021, pp. 211 - 220
https://doi.org/10.4467/20843933ST.21.015.14005Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 3, 2021, pp. 221 - 239
https://doi.org/10.4467/20843933ST.21.016.14006Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 3, 2021, pp. 241 - 252
https://doi.org/10.4467/20843933ST.21.017.14007Słowa kluczowe: Iranian fiction, heterotopy, Šahrnuš Pārsipur, Moniru Ravānipur, women’s literature, Taʾdib al-Rejāl, The Education of Men, Iranian feminism, translation, Bel-Ami, Guy de Maupassant, law and literature, divorce in literature, Peter Waterhouse, Nanne Meyer, refugee experience, contemporary Austrian literature, language reflection, reflection on language of the judicial system, experimental fiction, webcomics, new media, Stu Campbell, comics, experimental literature, AR technology, Romeo and Juliet, dance, theatrical potential, ball scene