Publication date: 12.2021
Publikacja dofinansowana przez Uniwersytet Jagielloński ze środków Wydziału Filologicznego.
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Katarzyna Bazarnik
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 4, 2021, pp. 253 - 265
https://doi.org/10.4467/20843933ST.21.018.14367Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 4, 2021, pp. 267 - 291
https://doi.org/10.4467/20843933ST.21.019.14368Toward Modernity – the Ideological and Cultural Frames of the Serbian Revolution in the 19th Century
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 4, 2021, pp. 293 - 303
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https://doi.org/10.4467/20843933ST.21.021.14370Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 4, 2021, pp. 319 - 331
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https://doi.org/10.4467/20843933ST.21.023.14372Słowa kluczowe: Romeo and Juliet, dance, theatrical potential, ball scene, Manfred, Byron, Robert Schumann, Józef Kotarbiński, Teatr Wielki in Warsaw, theatre criticism, Byron’s reception in Poland, Modernity, Serbian Revolution, Dositej Obradović, Vuk Stefanović Karadžić, Svetozar Marković, postcolonialism, modern Russian prose, Vera Galaktionova, Kazakhstan, Russian, trauma, Paula von Preradović, holiness, Austrian literature, Saint Columba, Celtic Christianity, geopoetics, literary sensory geography, Roy Jacobsen, Eyes of the Rigel