Volume 18, Issue 3-4

2023

Publication date: 03.2024

Description

Cover design: Paweł Bigos.

This publication was funded by the program „Excellence Initiative – Research University at the Jagiellonian University in Krakow” and „Rozwój Czasopism Naukowych”, MEiN, no RCN/SP/0284/2021.

Licence: CC BY

Editorial team

Issue Editors Dominika Kaniecka, Rafał Majerek, Magdalena Pytlak

Editor-in-Chief Katarzyna Bazarnik

Issue content

Introduction: Forms of engagement in contemporary Southern and Western Slavic literatures

Dominika Kaniecka, Rafał Majerek, Magdalena Pytlak

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. IX - XI

https://doi.org/10.4467/20843933ST.23.017.19436

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The Disintegration of “Power/Knowledge”: Post-Socialist Studies as Decolonial Studies? A Personal Point of View. Part 1: Post-Colonialism, Balkanism and Self-Colonization

Alexander Kiossev

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 179 - 190

https://doi.org/10.4467/20843933ST.23.018.19437

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The Disintegration of “Power/Knowledge”: Post-Socialist Studies as Decolonial Studies? A Personal Point of View. Part 2: The Socialist Expansion of Post-Colonial Studies

Alexander Kiossev

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 191 - 205

https://doi.org/10.4467/20843933ST.23.019.19438

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The Disintegration of “Power/Knowledge”. Post-Socialist Studies as Decolonial Studies? A Personal Point of View. Part 3: Soft and Hard Variants of Post-Colonial Studies

Alexander Kiossev

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 207 - 230

https://doi.org/10.4467/20843933ST.23.020.19439

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The Happiness of Sisyphus or the Need to Revise one’s Own Engagement: The Case of Ivan Lovrenović

Dominika Kaniecka

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 231 - 245

https://doi.org/10.4467/20843933ST.23.021.19440

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Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction

Adam Zygmunt

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 247 - 256

https://doi.org/10.4467/20843933ST.23.022.19441

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Narrative Strategies for Reclaiming the Memory of Historical Events in Theodora Dimova’s Novel The Defeated

Magdalena Pytlak

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 257 - 269

https://doi.org/10.4467/20843933ST.23.023.19442

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Unwanted Neighbours, Unwanted Memory. Slovak–Roma Relations in Marek Vadas’s Six Strangers

Rafał Majerek

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 271 - 279

https://doi.org/10.4467/20843933ST.23.024.19443

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Poetry and Engagement: Monika Herceg in the Labyrinth of Herstory and Itstory

Aleksandra Wojtaszek

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 281 - 290

https://doi.org/10.4467/20843933ST.23.025.19444

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The Aesthetics of Responsibility in the Latest Post-Yugoslav Theatre Projects

Gabriela Abrasowicz

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 18, Issue 3-4, 2023, pp. 291 - 304

https://doi.org/10.4467/20843933ST.23.026.19445

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Files to download

Imprint PDF Table of contents PDF Biograms PDF

Słowa kluczowe: post-colonial studies, self-colonization, post-socialist studies, Balkanism, post-colonial studies, self-colonization, post-socialist studies, Russian colonialism, post-colonial studies, post-socialist studies, Baltic colonization, decolonization of knowledge, “power/knowledge” complex, totalitarianism, engagement, Ivan Lovrenović, journalism, Bosnia and Herzegovina, literature of Bosnia and Herzegovina, Jaroslav Rudiš, contemporary Czech literature, capitalism, modernity, masculinity, space, Bulgarian literature, Theodora Dimova, collective memory, trauma, affect, Roma, racism, Slovak-Roma relations, Marek Vadas, Slovak literature, Croatian poetry, engagement, feminism, Monika Herceg, theatre, post-Yugoslav region, responsibility, socially engaged art, scandal