Publication date: 19.09.2016
Licence: None
Editorial team
Editor-in-Chief Celina Juda
Secretary Anna Car
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 11, Issue 2, 2016, pp. 53 - 64
https://doi.org/10.4467/20843933ST.16.007.5316Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 11, Issue 2, 2016, pp. 65 - 72
https://doi.org/10.4467/20843933ST.16.008.5317Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 11, Issue 2, 2016, pp. 73 - 81
https://doi.org/10.4467/20843933ST.16.009.5318Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 11, Issue 2, 2016, pp. 83 - 97
https://doi.org/10.4467/20843933ST.16.010.5319Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 11, Issue 2, 2016, pp. 99 - 108
https://doi.org/10.4467/20843933ST.16.011.5320Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 11, Issue 2, 2016, pp. 109 - 117
https://doi.org/10.4467/20843933ST.16.012.5321Słowa kluczowe: free verse, polymetry, micropolymetry, Russian and Ukrainian futurism, Velimir Khlebnikov, Mykhayl Semenko., Shakespeare, drama, Arab theatre., literary translation, relay translation, indirect translation, Jane Eyre, Charlotte Brontë., messianism, polyphony, Adam Mickiewicz, Parisian lectures, multilingualism, translation, history of concepts, romanticism., individuation., recollection, repression, subjectivity, trauma, Belgian literature, Jacqueline Harpman, narration, women’s language.