Publication date: 24.04.2017
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Celina Juda
Secretary Anna Car
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 1 - 13
https://doi.org/10.4467/20843933ST.17.001.6277Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 15 - 32
https://doi.org/10.4467/20843933ST.17.002.6278Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 33 - 45
https://doi.org/10.4467/20843933ST.17.003.6279Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 47 - 61
https://doi.org/10.4467/20843933ST.17.004.6280Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 63 - 71
https://doi.org/10.4467/20843933ST.17.005.6281Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 73 - 86
https://doi.org/10.4467/20843933ST.17.006.6282Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 12, Issue 1, 2017, pp. 87 - 98
https://doi.org/10.4467/20843933ST.17.007.6283Słowa kluczowe: Serbian drama, Serbia, Polish theatre, intercultural relations, otherness, cultural translation, Vedrana Rudan, public sphere, branding, intellectuals, Croatian literature, Danube Swabians, domestic enemies, trauma, suppression, repress, borderlands, weather map, Slovak literature, Central Europe, Peter Zajac, Pavel Matejovič, metaphysical fantastic prose, library, idée fixe liber mundi, infinity, (im)possibility., hashtag, domovina, homeland, Croatia, Instagram, polyptych., Tito, tabloid, infotainment, yugonostalgia, titonostalgia, Yugoslavia.