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Volume 8, Issue 4

2013 Next

Publication date: 26.06.2014

Licence: None

Editorial team

Secretary Anna Car

Editor-in-Chief Celina Juda

Issue content

Barbara Michalak-Pikulska

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 8, Issue 4, 2013, pp. 145-157

https://doi.org/10.4467/20843933ST.13.010.2010
The development of prose in the United Arab Emirates occurred much later than in other Gulf Countries. The local press started to develop only at the end of the 1960s. ‘Abd Allah Saqr Ahmad was the author of a short story Qulub la tarham (Merciless Hearts) published at the end of the 1960s and the first collection of short stories in the history of Emirate literature entitled al-Khashaba (A Piece of Wood). The first literary attempts of the young generation of Emirate writers were published within the pages of the following periodicals: an-Nasr, az-Zamalik, ash- Shabab, al-Ahli. On the market appeared the journal al-Ittihad, the weekly Akhbar Dubayy and the monthly al-Majma’. The first stage of modern Emirate literature is constituted by a group of writers who started to publish their works in the years 1972–1975. Among them: ‘Ali ‘Ubayd ‘Ali, Muhammad ‘Ali al-Mirri, ‘Abd al-Aziz Khalil as well as ‘Abd al-Hamid Ahmad and Muhammad al-Murr. In the Emirates women publish their works alongside men. The most renowned names include: Shaikha Mubarak an-Nakhi, Salma Matar Yusuf, Layla Ahmad, Maryam Jam‘a Faraj or Amina ‘Abd Allah Bu Shihab. New generation is represented by: Basima Muhammad Yunis, Su‘ad al-‘Arimi, Asma’ az-Zar‘uni, Ibtisam al-Mu‘alla and Rawda al-Balushi. Their short stories concern social matters i.e. the marriage of underage girls, the lack of respect for the opinions and aspirations of the young. What is more, in those stories we notice attempts at new topics connected with the introduction of a new life style which in turn is related to the economic and financial changes caused by the discovery of crude oil.
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Dariusz Salamon

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 8, Issue 4, 2013, pp. 159-170

https://doi.org/10.4467/20843933ST.13.011.2011

The author of the article attempts at re-reading the work of Stanisław Przybyszewki from the perspective of the analogy, and partially thecause-and-effect-relationship, between Nietzsche’s concept of ‘the Dionysian’ and Przybyszewski’s theory of ‘the naked soul’.
The author of the paper proposes that the basic element of the reception of German philosopher’s thought in the works of the genius Pole is ‘the Dionysus’ from Nietzsche’s early writings understood as a universal cosmic force connected with sexual desire, and not a voluntary concept of ‘the overman’.

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Alois Woldan

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 8, Issue 4, 2013, pp. 171-183

https://doi.org/10.4467/20843933ST.13.012.2012

This article tries to sketch the notions concerning World War I present in Ukrainian literature of the time of that conflict. It analyses the poetry of famous authors from an elder generation (B. Lepkyj, P. Karmans’kyj, O. Oles’) as well as the works of rather unknown or forgotten authors from a younger generation (V. Atamanjuk, O. Kobec’). There is a certain shift to be seen between loyalty to the Habsburg Empire, patriotic emphasis when fighting for one’s own homeland within the first years of WWI, and apocalyptic visions as well as pacifistic accents towards the end of the war. Although we can find messianic motifs of suffering (Karmans’kyj) and resurrection (Oles’), no real political future after the war is seen in the works by the quoted authors.

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Katarzyna Jaśtal

Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 8, Issue 4, 2013, pp. 185-187

https://doi.org/10.4467/20843933ST.13.001.2013
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