Publication date: 27.03.2018
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Celina Juda
Secretary Dominika Kaniecka
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 1, 2018, pp. 1 - 13
https://doi.org/10.4467/20843933ST.18.001.8279Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 1, 2018, pp. 15 - 24
https://doi.org/10.4467/20843933ST.18.002.8280Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 1, 2018, pp. 25 - 39
https://doi.org/10.4467/20843933ST.18.003.8281Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 1, 2018, pp. 41 - 52
https://doi.org/10.4467/20843933ST.18.004.8282Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 1, 2018, pp. 53 - 63
https://doi.org/10.4467/20843933ST.18.005.8283L'Opéra au service de la Nation. La relecture rhétorique de la Guerre de l'Opéra de Jacques Cazotte.
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 13, Issue 1, 2018, pp. 65 - 76
https://doi.org/10.4467/20843933ST.18.006.8284Słowa kluczowe: Olha Kobylianska, melancholia, sadness, music, Arthurian romance, Perlesvaus (Le Haut Livre du Graal), dream turning real, nightmare, phantasm, medieval dream theories, Macrobius, Augustine, divination, modern Croatian poetry, popular culture, irony, Croatian emigrant poetry, sexual liberalism, Mrs Dalloway, postmodern progeny, neomodern progeny, rewritings, imitation, allusion, Vian, Autumn in Peking, complex comism, surrealism, bricolage, Jacques Cazotte, French Opera, French Enlightenment, rhetoric