Publication date: 08.2021
Licence:
CC BY-NC-ND
Editorial team
Editor-in-Chief Katarzyna Bazarnik
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 1 - 1
Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 61 - 73
https://doi.org/10.4467/20843933ST.21.006.13650Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 75 - 87
https://doi.org/10.4467/20843933ST.21.007.13651Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 89 - 103
https://doi.org/10.4467/20843933ST.21.008.13652Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 105 - 122
https://doi.org/10.4467/20843933ST.21.009.13653Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 123 - 138
https://doi.org/10.4467/20843933ST.21.010.13654Studia Litteraria Universitatis Iagellonicae Cracoviensis, Volume 16, Issue 2, 2021, pp. 141 - 152
https://doi.org/10.4467/20843933ST.21.011.13655Słowa kluczowe: contemporary British historical novel, myth of Dunkirk, Their Finest Hour and a Half, Lissa Evans, the Second World War in literature, J.M. Coetzee, Diary of a Bad Year, hope, gender, androgyny, postgenderism, science fiction, Marge Piercy, utopia, dystopia, hope, francophone contemporary prose, Jean-Philippe Toussaint, reticence, return to the story, queer studies, gay poetry, LGBT, Poland, imaginative geography, border studies, Guzel Yakhina, the image of German Kazan, Zuleikha, Garden on the Border, or the Garden “Russian Switzerland”, imagological analysis, hetero-image