Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction
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RIS BIB ENDNOTEVictims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction
Publication date: 27.03.2024
Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2023, Volume 18, Issue 3-4, pp. 247 - 256
https://doi.org/10.4467/20843933ST.23.022.19441Authors
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Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction
In this article, the author analyses the novel The National Valley (2016) by the contemporary Czech writer Jaroslav Rudiš. The main argument of the analysis focuses on the concept of modernity and modern subjectivity as outlined by the American philosopher, Marshall Berman, who in his book All That Is Solid Melts into Air (1988) describes modernity as a process of constant changes in reality. The author of the article interprets the Czech capitalist system after 1989 as a process of modernisation that forces certain elements of reality to disappear. Using the tools of semiotics provided by Yuri Lotman (1984), he analyses the structure of space in the novel, whilst also focusing on the issues of masculinity, family relations and subjectivity in capitalist modernity. The protagonist of the novel, shaping his identity in opposition to the current model of modernity, has only limited possibilities of achieving subjectivity. The values he considers important do not fit into the realities of modernity, which means that the protagonist, as well as the milieu he inhabits, is doomed to marginalisation.
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Information: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2023, Volume 18, Issue 3-4, pp. 247 - 256
Article type: Original article
Titles:
Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction
University of Warsaw
Published at: 27.03.2024
Article status: Open
Licence: CC BY
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