FAQ
Logo of Jagiellonian University

Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction

Publication date: 27.03.2024

Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2023, Volume 18, Issue 3-4, pp. 247 - 256

https://doi.org/10.4467/20843933ST.23.022.19441

Authors

Adam Zygmunt
University of Warsaw
https://orcid.org/0000-0001-6730-7953 Orcid
Contact with author
All publications →

Translators

Ewa Kowal

Titles

Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction

Abstract

In this article, the author analyses the novel The National Valley (2016) by the contemporary Czech writer Jaroslav Rudiš. The main argument of the analysis focuses on the concept of modernity and modern subjectivity as outlined by the American philosopher, Marshall Berman, who in his book All That Is Solid Melts into Air (1988) describes modernity as a process of constant changes in reality. The author of the article interprets the Czech capitalist system after 1989 as a process of modernisation that forces certain elements of reality to disappear. Using the tools of semiotics provided by Yuri Lotman (1984), he analyses the structure of space in the novel, whilst also focusing on the issues of masculinity, family relations and subjectivity in capitalist modernity. The protagonist of the novel, shaping his identity in opposition to the current model of modernity, has only limited possibilities of achieving subjectivity. The values he considers important do not fit into the realities of modernity, which means that the protagonist, as well as the milieu he inhabits, is doomed to marginalisation.

References

Download references

Balíček, Jan. 2022. V chapadlech murmuru. Praha: Paseka.

Bendová, Veronika. 2019. Vytěženej kraj. Praha: Fra (Agite/Fra).

Beranová, Eliška. 2021. Chlapec s rybí hlavou. Praha: Malvern.

Berman, Marshall. 1988 [1982]. All That Is Solid Melts into Air: The Experience of Modernity. New York: Penguin Books.

Biler, Stanislav. 2021. Destrukce. Brno: Druhé Město.

Blažaková, Hana. 2022. Mýtus nového začátku v politickém čtení devadesátých let. Praha: Univerzita Karlova, Filozofická fakulta.

Byung-Chul, Han. 2022. Społeczeństwo zmęczenia i inne eseje. Translated by Rafał Pokrywka. Warszawa: Wydawnictwo Krytyki Politycznej.

Czapliński, Przemysław. 2020. „Końca świata nie będzie. Parafraza krytyczno-literacka.” Teksty Drugie 1: 65–93. DOI:10.18318/td.2020.1.4.

Denemarková, Radka. 2018. Hodiny z olova. Brno: Host.

Gilk, Erik. 2014. „Jaroslav Rudiš: Nebe pod Berlínem.” In V souřadnicích mnohosti. Česká literatura první dekády jednadvacátého století v souvislostech a interpretacích, edited by Alena Fialova, Petr Hruška, Lenka Jungmannova, 419–425. Praha: Academia.

Hradecký, Daniel. 2020. Tři Kapitoly. Jihlava: Listen.

Kratochvil, Alexander. 2006. „Jedna evropská dimenze současné české literatury: fenomén pop Nad knihou Nebe pod Berlínem Jaroslava Rudiše.” In Hodnoty a tradice. Svět v české literatuře, česká literatura ve světě. sv 1. Otázky českého kánonu. Příspěvky z 3. kongresu světové literárněvědné bohemistiky, edited by Stanislava Fedrova, 575–584. Praha: Ústav pro českou literaturu AV ČR.

Lotman, Juri. 1984. Struktura tekstu artystycznego. Translated by Anna Tanalska. Warszawa: Państwowy Instytut Wydawniczy.

[Lotman, Juri. 1977. The structure of the artistic text. Translated by Gail Lenhoff and Ronald Vroon. Michgan: Michigan Slavic Publications.

Machala, Lubomír. 2008. „Próza.” In V souřadnicích volnosti. Česká literatura devadesátých let dvacátého století v interpretacích, edited by Petr Hruška, Lubomír Machala, Libor Vodička, Jiří Zizler, 275–312. Praha: Academia.

Müller, Karel B. 2019. „Jak v Česku zachovat liberální demokracii?.” In Nesamozřejmý národ? Reflexe českého třicetiletí 1989–2019, edited by Petr Hlaváček, 285–300. Praha: Academia.

Radovanovič, Dušan. 2019. „Třicet let nepolitického národa. Od liberálně pravicové dominace po vzpouru opomíjených.” In Nesamozřejmý národ? Reflexe českého třicetiletí 1989–2019, edited by Petr Hlaváček, 275–284. Praha: Academia.

Rudiš, Jaroslav. 2016. Aleja Narodowa. Translated by Katarzyna Dudzic-Grabińska. Wrocław: Książkowe Klimaty.

Šindelka, Marek. 2016. Únava materiálu. Praha: Odeon.

Information

Information: Studia Litteraria Universitatis Iagellonicae Cracoviensis, 2023, Volume 18, Issue 3-4, pp. 247 - 256

Article type: Original article

Titles:

English:

Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction

Published at: 27.03.2024

Article status: Open

Licence: CC BY  licence icon

Percentage share of authors:

Adam Zygmunt (Author) - 100%
Ewa Kowal (Translator) - 0%

Information about author:

Adam Zygmunt, MA, is a PhD student of literary studies in the Doctoral School of Humanities at the University of Warsaw. He completed his BA and MA studies in the Institute of Western and Southern Slavistics at the University of Warsaw, majoring in Bohemian studies. His PhD project, under the supervision of Prof. Marcin Filipowicz, concentrates on representations of the impact of the capitalist system on space in contemporary Czech literature. His academic research interests are critique of ideology, spacial anthropology, contemporary capitalism, contemporary Czech literature and 20th-century history.

Article corrections:

-

Publication languages:

English

Suggested citations: Chicago

Adam, Zygmunt. "Victims of Modernity. The Image of Capitalist Modernisation in Jaroslav Rudiš’s Fiction" Studia Litteraria Universitatis Iagellonicae Cracoviensis. Mar 27, 2024. https://ejournals.eu/en/journal/studia-litteraria-uic/article/victims-of-modernity-the-image-of-capitalist-modernisation-in-jaroslav-rudiss-fiction