Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 515 - 519
https://doi.org/10.4467/23531991KK.21.044.15195Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 520 - 536
https://doi.org/10.4467/23531991KK.21.044.15196Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 537 - 555
https://doi.org/10.4467/23531991KK.21.046.15197Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 556 - 568
https://doi.org/10.4467/23531991KK.21.047.15198Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 569 - 586
https://doi.org/10.4467/23531991KK.21.048.15199Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 587 - 598
https://doi.org/10.4467/23531991KK.21.049.15200Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 599 - 610
https://doi.org/10.4467/23531991KK.21.050.15201Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 611 - 622
https://doi.org/10.4467/23531991KK.21.051.15202Konteksty Kultury, Volume 18 Issue 4, 2021, pp. 623 - 632
https://doi.org/10.4467/23531991KK.21.052.15203Słowa kluczowe: national literary canon, world literature, national poets, metapoetry, Jacques Derrida, marranism, anti-canon, deconstruction, philosophy of literature, Jacek Dehnel, But With Our Dead Ones, Romanticism, Polish patriotic canon, nationalism, Henryk Sienkiewicz, literature, philosophy, truth, meaning of life, war, racism, knighthood, masculinity, femininity, Janko the Musician, The Stranger, Henryk Sienkiewicz, Maria Kuncewiczowa, Oedipus complex, psychoanalysis, subjectivity, music, desire, Central Europe, Michał Masłowski, political myths
