Publication date: 11.06.2016
Licence: None
Editorial team
Issue editor Dorota Siwor
Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 1 - 19
https://doi.org/10.4467/23531991KK.16.001.5079Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 20 - 38
https://doi.org/10.4467/23531991KK.16.002.5080Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 39 - 53
https://doi.org/10.4467/23531991KK.16.003.5081Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 54 - 65
https://doi.org/10.4467/23531991KK.16.004.5082Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 66 - 80
https://doi.org/10.4467/23531991KK.16.005.5083Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 81 - 95
https://doi.org/10.4467/23531991KK.16.006.5084Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 96 - 98
Konteksty Kultury, Volume 13, Issue 1, 2016, pp. 99 - 104
Słowa kluczowe: parenetics, Old Polish literature, Plato, cardinal virtues, personal example of a courtier, personal example of a woman, Zbigniew Herbert, The Portrait in Black Frames, Hakeldama, bookkeeping, Economy as a Literary Subject, The New Economic Criticism, non-fiction, Africa, postcolonialism, Wojciech Jagielski, Rwanda, genocide, Holocaust, non-fiction, colonialism, trauma, survivor, witness’s account, audio drama, great communion of individuals, logorrhea, subversion, jamming, transplantology, anthropophagy, cannibalism, religion, ethics, death