Publication date: 22.12.2014
Licence: None
Editorial team
Editor-in-Chief Stanisław Gawliński
Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 333 - 346
https://doi.org/10.4467/23531991KK.14.018.2879Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 347 - 361
https://doi.org/10.4467/23531991KK.14.019.2880Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 362 - 373
https://doi.org/10.4467/23531991KK.14.020.2881Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 374 - 386
https://doi.org/10.4467/23531991KK.14.021.2882Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 387 - 406
https://doi.org/10.4467/23531991KK.14.022.2883Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 407 - 420
https://doi.org/10.4467/23531991KK.14.023.2884Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 421 - 434
https://doi.org/10.4467/23531991KK.14.024.2885Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 435 - 447
https://doi.org/10.4467/23531991KK.14.025.2886Konteksty Kultury, Volume 11, Issue 4, 2014, pp. 448 - 455
Słowa kluczowe: anonymity, identity, namelessness, status of nameless, Unknown Soldier, orphan myth, Józef Wittlin, Albert Camus, Piotr Niewiadomski, so-called Recovered Territories, Occident, plot, Eugeniusz Paukszta, Henryk Panas, Józef Hen, identity, borderland, space, city, flâneur, Adam Zagajewski, Mieczysław Jastrun, diary, autobiography, notes, consciousness, existence, persistence, time, Michał Witkowski, Barbara Radziwiłłówna, exhaustion, the end of literature, postmodernist novel, Roman Honet, loss, melancholy, death, childhood, William Shakespeare, musical, theatre, film, American culture, hip-hop, song, subculture, power, contestation, rebellion, music texts