Publication date: 20.03.2017
Licence: None
Editorial team
Issue editor Dorota Siwor
Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 209 - 222
https://doi.org/10.4467/23531991KK.16.013.6332Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 223 - 241
https://doi.org/10.4467/23531991KK.16.014.6333Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 242 - 259
https://doi.org/10.4467/23531991KK.16.015.6334Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 260 - 270
https://doi.org/10.4467/23531991KK.16.016.6335Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 271 - 296
https://doi.org/10.4467/23531991KK.16.017.6336Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 297 - 310
https://doi.org/10.4467/23531991KK.16.018.6337Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 311 - 317
Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 318 - 323
Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 324 - 327
Konteksty Kultury, Volume 13, Issue 3, 2016, pp. 328 - 334
Słowa kluczowe: Alda Merini, Franciscanism, religious poetry, mysticism and eroticism in literature, Janusz Korczak, 20th-century Polish literature, Polish Jews, antisemitism, Kazimierz Wierzyński, The Great Bear, Yelena Maslova, home, World War I, comparative literature, Jorge Luis Borges, Danilo Kiš, Serbian literature, intertextuality, reception and effect studies, advertising, literature, literary, aesthetic, work of art, communication, TV series, quality television, culture of convergence, active recipient