Publication date: 21.10.2016
Licence: None
Editorial team
Issue editor Dorota Siwor
Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 107 - 124
https://doi.org/10.4467/23531991KK.16.007.5472Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 125 - 137
https://doi.org/10.4467/23531991KK.16.008.5473Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 138 - 157
https://doi.org/10.4467/23531991KK.16.009.5474Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 158 - 175
https://doi.org/10.4467/23531991KK.16.010.5475Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 176 - 190
https://doi.org/10.4467/23531991KK.16.011.5476Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 191 - 205
https://doi.org/10.4467/23531991KK.16.012.5477Konteksty Kultury, Volume 13, Issue 2, 2016, pp. 206 - 208
Słowa kluczowe: nihilism, nihilist, nature, conscious self, demonizing nature, Joseph Conrad, Warsaw, history of Poland under Partitions, Zbigniew Herbert, religious motifs, pre-Socratics, Ancient Greece, philosophy, Imre Kertész, Holocaust, Auschwitz, trauma, fate, cognitive tool, culture, Czesław Miłosz, diagrammatic iconicity, image language, imagery, W.J.M. Turner, Volhynia massacre, testimony, expressing the ineffable, salvation, poetics of testimony