Publication date: 2021
Licence: CC BY-NC-ND
Editorial team
Editor-in-Chief Paweł Bukowiec
Secretary Tomasz Kunz
Wielogłos, Issue 1 (47) 2021, 2021, pp. 1 - 24
https://doi.org/10.4467/2084395XWI.21.001.13576Wielogłos, Issue 1 (47) 2021, 2021, pp. 25 - 46
https://doi.org/10.4467/2084395XWI.21.002.13577Wielogłos, Issue 1 (47) 2021, 2021, pp. 47 - 66
https://doi.org/10.4467/2084395XWI.21.003.13578Wielogłos, Issue 1 (47) 2021, 2021, pp. 67 - 83
https://doi.org/10.4467/2084395XWI.21.004.13579Wielogłos, Issue 1 (47) 2021, 2021, pp. 85 - 122
https://doi.org/10.4467/2084395XWI.21.005.13580Wielogłos, Issue 1 (47) 2021, 2021, pp. 123 - 149
https://doi.org/10.4467/2084395XWI.21.006.13581Wielogłos, Issue 1 (47) 2021, 2021, pp. 151 - 181
https://doi.org/10.4467/2084395XWI.21.007.13582Słowa kluczowe: wet-nursing, wet nurses in France, Social Reproduction Theory, life-making, reproductive labour, Charles Baudelaire, melancholy, spleen, blackness, aesthetics of transient beauty, écriture mélacolique, Bolesław Prus, historical fiction, representation, Egyptology, Jews, Henryk Sienkiewicz, Z wystawy antropologicznej w Paryżu [From the Anthropological Exhibition in Paris], race, racial-anthropological criteria, Oscar Peschel, anthropological exhibition, Michel de Montaigne, Witold Gombrowicz, subject, text, experience, otherness, Other, interculturalism, intercultural relations, cultural diversity, multicultural children’s and young adult literature, multiculturalism, film fairy tale, literary fairy tale, Disney Renaissance, Disney Revival, Disney Golden Age, feature animation, Walt Disney