Publication date: 2015
Licence: None
Editorial team
Editor-in-Chief Teresa Walas
Secretary Tomasz Kunz
Wielogłos, Issue 1 (23) 2015, 2015, pp. 1 - 21
https://doi.org/10.4467/2084395XWI.15.001.4106Wielogłos, Issue 1 (23) 2015, 2015, pp. 23 - 42
https://doi.org/10.4467/2084395XWI.15.002.4107Wielogłos, Issue 1 (23) 2015, 2015, pp. 43 - 55
https://doi.org/10.4467/2084395XWI.15.003.4108Wielogłos, Issue 1 (23) 2015, 2015, pp. 57 - 76
https://doi.org/10.4467/2084395XWI.15.004.4109Wielogłos, Issue 1 (23) 2015, 2015, pp. 77 - 88
https://doi.org/10.4467/2084395XWI.15.005.4110Wielogłos, Issue 1 (23) 2015, 2015, pp. 89 - 97
https://doi.org/10.4467/2084395XWI.15.006.4111Wielogłos, Issue 1 (23) 2015, 2015, pp. 99 - 106
https://doi.org/10.4467/2084395XWI.15.007.4112Wielogłos, Issue 1 (23) 2015, 2015, pp. 107 - 113
https://doi.org/10.4467/2084395XWI.15.008.4113Słowa kluczowe: Peiper Tadeusz, A Diarist’s Book, body, materialism of avant-garde, psychosis, Miłosz Czesław, affect, trauma, sensuality, World War II, Holocaust, Kuryluk Ewa, collage, postmemory, children’s literature and book from the beginning of twentieth century, art nouveau, picturebook, plagiarism, Bukowiec Pawel, Szymborska Wislawa, versifi cation, Polish poetry, Brzozowski Stanisław, modernisty, biography, literary criticism, feminist literary criticism, literary history, tradition, Polish fiction, nomadic subjects, Milosz Czeslaw, image of the world, home, voyage, memory