Publication date: 2017
Licence: CC BY-NC-ND
Editorial team
Editor-in-Chief Teresa Walas
Secretary Tomasz Kunz
Issue editor Teresa Walas
Wielogłos, Issue 2 (32) 2017, 2017, pp. 1 - 27
https://doi.org/10.4467/2084395XWI.17.009.7767Wielogłos, Issue 2 (32) 2017, 2017, pp. 29 - 40
https://doi.org/10.4467/2084395XWI.17.010.7768Wielogłos, Issue 2 (32) 2017, 2017, pp. 41 - 51
https://doi.org/10.4467/2084395XWI.17.011.7769Wielogłos, Issue 2 (32) 2017, 2017, pp. 53 - 67
https://doi.org/10.4467/2084395XWI.17.012.7770Wielogłos, Issue 2 (32) 2017, 2017, pp. 69 - 87
https://doi.org/10.4467/2084395XWI.17.013.7771Wielogłos, Issue 2 (32) 2017, 2017, pp. 89 - 102
https://doi.org/10.4467/2084395XWI.17.014.7772Wielogłos, Issue 2 (32) 2017, 2017, pp. 103 - 113
https://doi.org/10.4467/2084395XWI.17.015.7773Wielogłos, Issue 2 (32) 2017, 2017, pp. 115 - 125
https://doi.org/10.4467/2084395XWI.17.022.7917Słowa kluczowe: Polish experimental poetry, musical score, musicality of a literary work, avant-garde, neo-avant-garde, intermedia, language, narration, femininity, prose, emotions, hysteria, masculinity, irony, early modern irony, Biesy, Maria Komornicka, avant-garde, Martin Heidegger, Krystyna Miłobędzka, modernism, 20th-century Polish poetry, turn towards things, prose, versification, poetry, Marcin Świetlicki, contemporary Polish poetry, modernism, aesthetics, social communication, poem, feminist standpoint theory, feminist criticism, disputable figures, depression, autobiography, depathologization, affect, cure writing, cruel optimism, speculative essay