Publication date: 2017
Licence: None
Editorial team
Editor-in-Chief Teresa Walas
Secretary Tomasz Kunz
Wielogłos, Issue 4 (30) 2016, 2016, pp. 1 - 21
https://doi.org/10.4467/2084395XWI.16.026.6854Wielogłos, Issue 4 (30) 2016, 2016, pp. 23 - 46
https://doi.org/10.4467/2084395XWI.16.027.6855Wielogłos, Issue 4 (30) 2016, 2016, pp. 47 - 67
https://doi.org/10.4467/2084395XWI.16.028.6856Wielogłos, Issue 4 (30) 2016, 2016, pp. 69 - 79
https://doi.org/10.4467/2084395XWI.16.029.6857Wielogłos, Issue 4 (30) 2016, 2016, pp. 81 - 89
https://doi.org/10.4467/2084395XWI.16.030.6858Wielogłos, Issue 4 (30) 2016, 2016, pp. 91 - 109
https://doi.org/10.4467/2084395XWI.16.031.6859Wielogłos, Issue 4 (30) 2016, 2016, pp. 111 - 126
https://doi.org/10.4467/2084395XWI.16.032.6860Wielogłos, Issue 4 (30) 2016, 2016, pp. 127 - 149
https://doi.org/10.4467/2084395XWI.16.033.6861Wielogłos, Issue 4 (30) 2016, 2016, pp. 151 - 158
Słowa kluczowe: Enlightenment of the Stanislaus time, opera, nobility theatre, J.I. Kraszewski, J.D. Holland, Death of Klinghoffer, opera, romanticism, art and politics, the Third, middleman, the other, Ursula K. Le Guin, Jarosław Grzędowicz, science fantasy, Bernhard Waldenfels, Stephen Greenblatt, Julian Kornhauser, Polish poetry after 1945, New Wave generation, aisthesis, Rafał Wojaczek, Konrad Góra, Szymon Domagała-Jakuć, Kamil Brewiński, form, new poetry, Roman Honet, spectrum, imagination, time, incorporation, children, children's literature, disability, disability studies, modernity, race, Post-Blackness, black nationalism, identity